Autopsy→After

2/8/10

I wrote this in December 2009. It’s either the first part of an unfinished short story or the entirety of an extremely short story; I don’t know. Do you know? If you do, could you tell me?


Before they cut him open, they were already skeptical. But they were professionals, so they did the job they’d been assigned. It took about two hours; they felt they had been thorough. Yet they had found nothing: no disease, no poison, no injury. Nothing that would have killed the man on the table.

Dr. M. sighed. He wasn’t surprised.

“He’s not going to like this,” Dr. H. whispered.

“Shhh.”

They put the man back together and sewed him up, removed their masks and gloves, dropped them in a bin next to the sink, and washed their hands. Then they regarded each other grimly across the table, neither wanting to speak first.

“I’m sorry, sir,” Dr. H. said at last. “We were unable to determine a cause of death.”

“I don’t understand,” said the man on the table, raising his head. “Why not?”

“There is none to determine, sir.” Dr. H. rubbed his hands together nervously. “It is my professional opinion that…well…what I mean to say is that I can only conclude…”

Dr. M. put his hand on Dr. H.’s shoulder. “My colleague and I can only conclude that you have not in fact died.”

“Of course I’ve died. Let’s not start that again.”

“You’ve made your opinion on the subject very clear, sir; otherwise we wouldn’t be here. But the evidence speaks for itself.”

“Evidence?” The man sat up. “A fellow knows when he’s died! Why do you think I put myself through this? For fun?”

“Sir, if you’d please get dressed…”

“Oh, I’ll get dressed.” He snatched from Dr. H. the plastic bag which contained his clothes and personal effects. “Do you know how ridiculous that sounds? Asking a dead man to get dressed?” He dumped the contents of the bag onto the floor and picked through them, looking for his socks.

Dr. M. looked away, frowning. Dr. H. said quietly, “I’m afraid we’re just not seeing it your way, sir.”

“My heart stopped, for fuck’s sake! I died!”

“Your heart?” The doctors exchanged an uneasy look.

“Didn’t you notice my heart’s stopped?”

Dr. H. tried to think back over the past two hours. “I…can’t say I noticed…one way or the other. It’s not really part of our regular checklist. Did you happen to notice?”

Dr. M. shook his head. “We were looking for so many things, for so long. I suppose I don’t remember thinking ’say, his heart’s stopped.’” He appeared to contemplate the ceiling for a moment. “Then again, I don’t precisely recall it doing much of anything, either. But as he said, it’s not something we ordinarily look for.”

The man had put on his socks and underwear, and now he paused in the midst of buttoning his shirt. “Of all the stupid things. Listen to my chest!”

“Right now?”

“You’ve got a stethoscope or something, yes?”

Dr. M. snorted. “Why would we bring a stethoscope to an autopsy?” He turned to Dr. H. and murmured, “You didn’t bring one, did you?”

“Don’t be silly. To an autopsy?”

“But you…” The man put his hands to his temples. “You don’t even need it. Just put your ear against my chest.”

“I’m afraid the battery in my hearing aid is very low,” Dr. M said. “It started failing a moment ago. I can barely hear what you’re saying right now.”

“You’re kidding.”

“I’m what?”

“I don’t need a hearing aid,” Dr. H said. “I’ll have a listen.”

He started to lean in toward the man’s chest, then stopped suddenly.

“That’s…not a linen shirt, is it?”

“It’s a linen blend, yes.”

Dr. H. drew back. “I’m quite allergic to linen.”

The man glared at him. “Then I’ll take it off again.”

“I’m sorry, sir. It’s no good. The fibers. I can’t.”

“The fibers?”

“The stray fibers that remain on the skin.”

“Stray fibers? You’re sure about that?”

Dr. H. shrugged. “I really am quite allergic.”

“You’re what?” Dr. M. shouted. “He’s what?”

“Fine!” The man resumed buttoning his shirt. “That’s just fine. I think we’re done here.” He scowled at them. “Thank you for your time.”

“If you wanted to come back-”

“And yet somehow I don’t. Really. It’s fine.” He sat on the table with his back to them and put on his pants. “You’ll have to excuse me, I’ve got a million things to do and I really have no more time for idle conversation.”

“What? What’s he saying?”

“Please, sir-”

“If I were dead I suppose less would be expected of me, and my many important duties would fall to someone else. But I’m not dead, or so you say.” He looked as though he wanted to spit on them. “So the work falls to me, and me alone. And unless you’re planning to do it for me, I really must be off now.”

He was fully dressed now. The doctors fidgeted and stammered until he pushed them aside. “Out of my way! Life is waiting!” He stormed out the door. “The living man has work to do!”


Every Sunday

2/7/10

Today’s & In One Another drawing. So far these assignments have me feeling like I don’t know what the hell I’m doing, but I feel like I should post something that isn’t a song or a comic once in a while, so…here you go.

Glass Edit

2/7/10

This is my 2/6 post, a few minutes late. Heavily post-produced guitar thingy from early 2006. Probably not finished yet.

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My House

2/5/10

For the next two months I’m going to be participating in the & In One Another drawing project. Every day I get a new drawing assignment, and I’ll be posting at least some – possibly all – of the results here. This is the first assignment. Not really sure what I was going for here.

Card Sharkts

2/4/10

Drawn with Carrie on very small paper.

Hundreds of Grim Reapers

2/3/10

On a weekend in August 2006 I wrote and recorded 12 songs in 12 hours, just to see if I could do it. For this song I decided to just set up a single mic and record one take of myself improvising lyrics over a simple repeating guitar part. It’s a fun way to “write” songs; I don’t know why I don’t try to do it more often. (Yes I do: because most of the songs would be terrible.)

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I pressed a hot coal
Into the rocking horse’s eye
I pressed a hot coal
Up against the rocking horse’s eye
I lined up the birds’ nests
Everyone lost their sense of direction
I clapped my hands
Everything went according to my plan
Everything went according to my plan
Everything went according to plan
I walk down the road
Cars pass by
That’s okay
I’d rather they did
If only today

Hundreds of grim reapers
Have lost control
Hundreds of grim reapers
Have lost control
Again

Clostr Whlpe

2/2/10

Drawn with Justin Durand.

100% Concrete Jalopy

2/1/10

Drawn with Carrie Bergman.

Two Men’s Election

1/31/10

Sequencer loop created in 2000 (I knew I’d use it for something someday!); other instruments / vocal melody added June 2006; lyrics re-written / re-recorded sometime last year. I’ve never been that crazy about the title; basically it was assigned to the song before it was written (long story), and I’ll probably change it someday.

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Raise the arm and keep it raised
Things are coming down the sleeve
Go forever, go in flames
Live forever – only leave

Does it put your blood in a state?

Did you miss me? Did I leave?
In the dark I wasn’t me
Who is hidden? Who was seen?
He is risen – who is he?

Does it put your blood in a state?

History and not the mirror
Memory and not the hole
We are only one another
Not ourselves, not anymore

Does it put your blood in a state?

A Ding

1/30/10

Sound files were sent back and forth and a mighty song was built.

Written and performed by Christmas Halloween:
Carrie Bergman (voices, xylophone)
Justin Durand (voices, drums)
me (guitars, drum treatments)

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Red Curtain Raiser

1/30/10

Damn it! Once again socializing has foiled my post-something-every-day plans. So this’ll be my belated 1/29 post. Actual 1/30 post coming soon.

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Don’t Cut Me Loose

1/28/10

Drawn with Carrie and Justin. But you knew that.

Memory Drawing Series 1

1/27/10

A fun game! You should try it! The first person makes a drawing, the second person briefly (10-30 seconds) examines the drawing then tries to draw it from memory, the third person examines that drawing then tries to draw it from memory, and so on. If there are a lot of participants (6+), we usually give the last person’s drawing back to the first person, who then gets to make the final drawing in the series. Since I usually do this with just 1 or 2 other people, we tend to go through multiple cycles; I think it’s nice to allow it to (d)evolve through at least 6 drawings.

me → JustinCarrie

Shouldn’t I Know?

1/26/10

To my great surprise, I wrote and recorded a song today. Carrie and Justin and I are in the early planning stages of a collaborative album based around a “strange experiences in the woods at night” theme. I was thinking about this at work and bits of lyrics and melodies started to assemble in my head, so I wrote them down before I could forget, and somehow that turned into writing a complete set of lyrics in about an hour. Later, at home, I figured out what chords to play under it, which took another hour or so. A few minutes in the kitchen with my Handy digital recorder (the capital H isn’t a typo; the kind I use is actually called a Handy Recorder), and sha-zam! A demo is demoed, in what for me is probably record time. It’s kinda nice when songwriting takes hours instead of, um, years.

Anyway, at first I was thinking this song would become part of the collaborative-album project, but I’m starting to think it’s got too much of me in it to really work as group effort; I have too many ideas about how I want it to ultimately sound. Maybe I’ll change my mind, but for now I’m thinking it should just be mine, gollum gollum.

I plan to record a less skeletal arrangement of this sometime in the next few months, and when I do I’ll be changing the lines “When I saw on the grass / What could have been a body”; I don’t like ‘em. Too expository.

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My light had been out for a while
My eyes had adjusted partway
When I saw on the grass
What could have been a body
Hard to say, hard to know
Shouldn’t I, though?
Shouldn’t I?

What good would it do to be sure?
Why not turn around, walk away?
But of course that wouldn’t do
So I knelt down beside it
All because I didn’t know
Shouldn’t I, though?
Shouldn’t I?

I tried to make out the shape but it was just a shape
I tried to give it a name but it could not be named
I brought it up to my face and still I couldn’t say
I put my hands all over it

You think your world goes on for miles
You think the sun comes up every day
No, I don’t – no, I don’t
If I said that, I’m sorry
I got lost and I don’t know
Shouldn’t I, though?
Shouldn’t I?

You Wicked Fools

1/25/10

Drawn with Carrie Bergman and Justin Durand.

Attempts at Cartoon Self-Portrayal

1/24/10

These are preliminary studies for a mostly-unrealized (it fizzled out after one page) autobiographical comic in which my friends and I would each draw him/herself and write his/her own dialogue. They’re from my pre-beard days which means they’re at least seven years old.

I suspect that Carrie may have drawn the upper-right picture, but she says she didn’t.

Evening Oracle

1/23/10

Another song from June 2006.

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Step outside and receive your rightful guest
Raise your arms in a show of your distress

And the evening oracle will change your life
And the evening oracle will take your life / save your life
Take your life / save your life
Take your life / save your life
Take your life / save your life

I can’t breathe in a world of falling weights
Live like ghosts and your home will be okay

And the evening oracle will change your life
And the evening oracle will save your life / take your life
Save your life / take your life
Save your life / take your life
Save your life / take your life

Lard Ass Cartoons: #1 Cartoon

1/23/10

Oh shit! I never posted anything for 1/22! I was going to but then my friend who I hadn’t seen in a long time stopped by and we got to talking and now it’s a few minutes after midnight. Oh well…at any rate, this will count as my 1/22 post, and then I’ll post something else later that’ll be my “real” 1/23 post.

Drawn with Justin Durand and Carrie Bergman.

Smopies

1/21/10

Drawn with Carrie Bergman.

Iron Tank

1/20/10

Written and recorded in April 2008, but I recently changed the lyrics a little bit, so I quickly re-did the singing about an hour ago – and should probably re-do it again, a little less quickly. In fact I should probably re-record the whole thing; the guitar sounds like I had the mic aimed right into the sound-hole, and the more I listen to it the more it gets on my nerves. Having said all that…here it is! Enjoy! Emoticon!

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Feel free to say what you’re thinking
Bills must be paid in the morning
I lie in wait in the hallway
My iron tank is preparing

Nobody said it would ever be over
As long as we still could see blood in the line
Out of the range of the loud and the strange
Feeling proud to just talk to yourself all the time
Burning alone in an aluminum drum
All determined and dumb in the throes of design
Tracing the still silhouette of a shape
As opaque as the face of the clock in your mind

Love doesn’t save – there’s no time to
My iron tank will surprise you
Love doesn’t save – there’s no time to
My iron tank will surprise you

The Molasses Is Sweet

1/19/10

Korg and backwards guitar from May 2006. Vocoder voices added in June 2006. Not sure why I felt like you needed to know that.

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And in the moment of the horror
You’ll fall asleep
You’ll tumble into the molasses
And find it sweet

Lazer Bazoom Peeny Weeny Donald Duck Fuck

1/18/10

Drawn with Carrie Bergman and Justin Durand.

Great and Terrible

1/17/10

Featuring Carrie Bergman on melodica.

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Given knives, sent away
Told to live outside
“You should try this today!”
So they’re saying, but why?
Go inside
Go inside
You don’t have to stay in the line
It’s still light but you think it’s late
So you make it late

You’re my friend
But you serve the great and terrible
You’re my friend
But you serve the great and terrible

You’ve been driving for days
You’ll be fine, in a way
Open wide to display
Bones that wave in the sky
Holding high
Smoke and waste

You’re my friend
But you serve the great and terrible
You’re my friend
But you serve the great and terrible

You’ve been hiding for days
Bones that break in the time
You don’t find
You don’t take

You’re my friend
But you serve the great and terrible
You’re my friend
But you serve the great and terrible
You’re my friend
But you serve the great and terrible

Drum Grumps

1/15/10

Drawn with Carrie Bergman and Justin Durand.

Pattern Archive (part 3 of 3)

1/14/10

I’ve decided to post the “titles” of these loops – i.e. their filenames – because my friend Peter has suggested a possible musical collaboration based on some of them, and this way it’ll be easier for him to tell me which ones he’d like to work with. Also because I think they’re fun titles. I’ve gone back and added title lists to the previous 2 posts as well.

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Contents of part 3:
[0:01] Alboni Reigns
[0:16] Alboni Resigns
[0:32] Golden Reigns
[0:48] Logenze (Stuck in the Loan)
[1:04] Glasstly
[1:16] Glory B. Limpus-Mactus
[1:26] Golgi Budy
[1:35] Knots in a Line
[1:46] Knots in Less Lines
[2:03] Logenze (Stripped to the Width)
[2:19] Nuts for Living Room
[2:26] Nutritive Drive
[2:35] Nuts to Drive
[2:50] Raws of Day
[3:02] Sync Saw Meaty Balls
[3:14] Temporary Dirt Door
[3:28] Waiting in Demetri
[3:42] Waiting al Denti
[3:57] Alabander Green Phil
[4:06] Alablater
[4:16] Alamander Basta

Pattern Archive (part 2 of 3)

1/13/10

Continued from yesterday. Part 3 coming tomorrow.

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Contents of part 2:
[0:01] Baughtled Dotter
[0:13] Lambor
[0:30] Beginning of String Dorm
[0:38] Beginning to Seem Like Rice
[0:49] Beginning to Stain the Rice
[1:01] Beginning to Steam Life Lines
[1:13] Beginning to Write the Seam
[1:29] Beginning to Writhe and Scream
[1:43] Hank of Drawn
[1:56] Hank of Drown
[2:10] Hint of Dern
[2:24] Dragging Dagon
[2:37] Autogack
[2:53] Autoexec
[3:09] Gills Cutties
[3:18] Gills Carries Pissed!
[3:27] Dogondo
[3:41] Morbrid
[3:57] Morbrid Deuse
[4:13] Morbrid Destinize
[4:29] Twinesty

Pattern Archive (part 1 of 3)

1/12/10

Years ago I made a bunch of TS-404 patterns which have been gathering digi-dust ever since. I don’t know when – if ever – I’ll get around to using them for anything, but in the meantime I’ve strung them all together and split the resulting mess into song-length chunks. All for you, my devoted legion of followers. All for you.

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Contents of part 1:
[0:01] Films All Seen
[0:12] Films to See
[0:24] Films to See (Iron Runnels Mix)
[0:36] Films to Steal
[0:48] Life and Tim
[1:00] Biscuits Rolls
[1:09] Dragging Drac
[1:20] Dory Weis a Ton
[1:31] Goat Trax
[1:37] Gambling Ghoss
[1:47] Logenze (Stabbed in the Phazz)
[1:59] Trains Over Clue Country
[2:11] Barbecue Gains
[2:27] Barbecue Grandy
[2:42] Carredux Poco Lips
[2:50] Biscuits Rolls Roast
[3:05] Free to Road
[3:18] Carredux Relayed to Ends
[3:33] Windy Shams
[3:45] Windy Shipsaw
[3:57] Windy Shereef

Working Paper

1/11/10

Drawn with Ned Dunn.

Shirtoad

1/10/10

Drawn with Justin Durand and Carrie Bergman.

Flee

1/9/10

Drawn with Carrie Bergman.

Small Things

1/8/10

Rough(er-than-usual) demo recorded late at night in my kitchen. I messed up the lyrics very slightly; the correct lyrics are included below. Can You Spot The Difference??

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Your shadow fell across the book I was reading
I put it down and never picked it up again
You spent all winter tuning that radio
Straining to burrow through my white and fuzzy skin

This is a small thing
This is a small thing
This is a small thing but so are all things

I found a pencil with a stub of eraser
Swept underneath the rug and hiding there from you
I watch the corners, I chase what rolls away
Safe from the unfamiliar faces in the room

This is a small thing
This is a small thing
This is a small thing but so are all things

You locked the door but I was already outside
Chasing a page from where the spine had come apart
I lost my armor, but I fooled everyone
I felt so happy as I crept into the dark
Thinking

This is a small thing
This is a small thing
This is a small thing but so are all things
This is a small thing
This is a small thing
This is a small thing but so are all things
So are all things
So are all things